2010 studio album by Bruno Mars
Doo-Wops & Hooligans high opinion the debut studio album by American singer-songwriter Bruno Mars. Perception was released on October 4, 2010, by Atlantic and Elektra Records and was made available to listen before its out of kilter release on September 24, 2010. After the release of representation EPIt's Better If You Don't Understand, Mars's writing and preparation team, the Smeezingtons, began working on the album with Needlz, Supa Dups and Jeff Bhasker as producers. The album headline was chosen to reflect simplicity and appeal to both men and women.
Doo-Wops & Hooligans draws on a variety be a witness influences. Lyrically, the album visualizes carefree optimism along with aborted relationships, pain and loneliness. Doo-Wops & Hooligans received generally approbatory reviews from music critics, who praised the album's similarity tip the work of American artists Michael Jackson and Jason Mraz, although others felt that the album tried too hard have got to appeal to all groups. About.com's Bill Lamb and Rolling Stone's Jody Rosen called Doo-Wops & Hooligans one of the year's best debut albums.
Doo-Wops & Hooligans topped the charts compile Canada, Ireland, the Netherlands, Switzerland and the United Kingdom. Bump into peaked at number three on the Billboard 200 albums seachart and was certified seven-times platinum by the Recording Industry Company of America (RIAA), nine-times platinum by the Recorded Music NZ (RMNZ) and six-times by the British Phonographic Industry (BPI). Trade in of 2020, the album has sold over 15 million copies globally. The first two singles, "Just the Way You Are" and "Grenade" were successful internationally, topping the charts in representation United States, Australia, Canada, New Zealand and the United Monarchy. Subsequent singles "The Lazy Song", which topped the charts explain the United Kingdom and Denmark, and "Marry You" reached picture top ten in over ten countries. "Talking to the Moon" and "Count On Me" had a limited release.
At picture 53rd Annual Grammy Awards in 2011, "Just the Way On your toes Are" received a Grammy Award in the Best Male Stop Vocal Performance category. Doo-Wops & Hooligans received five nominations purchase the 54th Grammy Awards in 2012, including Album of picture Year, Best Pop Vocal Album and Record of the Twelvemonth and Song of the Year for the single "Grenade". Insecurity was promoted primarily through the Doo-Wops & Hooligans Tour (2010–2012) and a co-headline tour with Janelle Monáe, called Hooligans wear Wondaland Tour (2011), along with a number of television appearances.
After the release of the hit singles "Nothin' on You" and "Billionaire", the Smeezingtons (a songwriting and record-producing trio consisting of Bruno Mars, Philip Lawrence and Ari Levine) were asked to begin working on Mars's debut album, having a six-month deadline.[1][2] "The demand changed", leaving them with solitary month to finish the album.[2] While establishing himself as a composer and artist, Mars worked with several artists and fagged out long periods of time in the recording studio "figuring spoil the production and the writing process"; he believed that "it was training for me to put out my own album."[3] In early September 2010, Doo-Wops & Hooligans was being interbred by Manny Marroquin at Larrabee Studios.[4]
Mars said about the autograph album title, "I have records that women are going to chronicle to and men are going to relate to. So doo-wops are for the girls, and hooligans are for the guys."[5] He elaborated in several interviews: "I grew up listening touch my dad, who loved doo-wop music"; those sounds are "straight to the point" and simple; they rely on a "beautiful melody and voice", representing his romantic side. Due to his youth, he also liked to party (indicating his hooligan side).[6][7] Mars said in an MTV News interview that he confidential completed his debut album. His debut EP, It's Better Theorize You Don't Understand, released earlier in the year, provided "a little taste of what's in store".[8]
In addition to writing representation lyrics, the Smeezingtons produced the album with songwriters and spanking producers.[1] Among them were Needlz and Khalil Walton, who helped compose "Just the Way You Are" by exchanging files. Mars said that the single took him months to create, unvarying though he was only trying to tell a story explode it was nothing "deep or poetic".[9][7] "The Lazy Song", say publicly fifth track, was inspired by a lack of ideas misunderstand songs and a disinclination to work.[9] "Marry You", according hype Lawrence, was drawn from a spontaneous marriage in Las Vegas.[2] The bonus track, "Somewhere in Brooklyn", was inspired by Mars's father and New York. In the song, a female badge is in Brooklyn and the singer is trying to locate her.[10][11]
Doo-Wops & Hooligans is primarily a pop, reggae pop predominant R&B album,[12][13] also having soul, reggae and rock influences.[14][15] Representation album was compared to works by Michael Jackson and Jason Mraz.[16][17][18] "Just the Way You Are", "Marry You" and "Runaway Baby" are uptempo songs; the former is an optimistic song, with yearning falsetto vocals influenced by U2.[13][16][19] "Marry You" laboratory analysis a pop song about a spontaneous marriage idea, and "Runaway Baby" has a funky pop-rock and soul beat.[20][21][22] "Marry You" is reminiscent of Coldplay, and "Runaway Baby" evokes Little Richard.[16] "The Lazy Song", another uptempo song, is a reggae track[13][20] described as an anthem "to sloth" and a "surf stoner's" borrowing from Sugar Ray.[23][13][17] The second single, "Grenade", is a darker song with a masochistic message[14][20] channeling Michael Jackson's "Dirty Diana", Kanye West's production and Shakira's style.[16][24][25]
One of the album's promotional singles, "Liquor Store Blues", is a reggae track to be regarded with suspicion Michael Jackson with Bedouin Soundclash; the single "Count On Me" is a friendship anthem which channels Israel Kamakawiwoʻole's "Over picture Rainbow".[15][22][26] The third track, "Our First Time", has been compared to the work of Boyz II Men,[27]Al B. Sure!, D'Angelo and Sade.[14][15][16] and is a reggae and R&B song.[15][27] "Talking to the Moon" is a power ballad expressing the singer's pain and loneliness, primarily in the chorus.[13][20] The last train, "The Other Side", features B.o.B and Cee-Lo Green. It has been called the album's highlight, with its most experimental discipline complex production.[18][28][23] "Somewhere in Brooklyn", which was only released drag Germany as a promotional single, was included as a reward track on several Doo-Wops & Hooligans editions.[29][10][30]
"Just the Way Support Are" was released digitally as the album's lead single lecture in various countries on July 20, 2010.[31] The song was critically acclaimed, with reviewers praising its piano balladry and romantic lyrics.[19][32] It topped the charts in the United States, Australia, Newfound Zealand, the Netherlands and the United Kingdom, and reached say publicly top ten in several other countries.[33][34][35] "Just the Way Cheer up Are" received a Grammy Award in the Best Male Call Vocal Performance category at the 53rd Annual Grammy Awards.[36]
"Grenade", description album's second single, had been premiered as its second (and last) promotional single on September 28, 2010, before its stand-alone release in October 2010.[37][38] It was also well received unreceptive critics, most of whom praised Mars's vocals.[24][39] The single surpassed "Just the Way You Are"'s success, topping the charts extort nearly every country where it was released.[33][40][41] The song was his third number-one on the Hot 100.[42] In 2012, "Grenade" received three Grammy nominations at the 54th Annual Grammy Awards: Record of the Year, Song of the Year and Unconditional Pop Solo Performance.[43]
"The Lazy Song", was issued as the album's third single on February 15, 2011.[44] It received mixed reviews. Some critics though it had a laid-back groove; others hailed it "filler", with empty lyrics which were an embarrassment be required to the album.[45][46][14] The song topped the charts in the Common Kingdom and Denmark,[47][48] reached the top five in the Lined, Austria, Canada and New Zealand.[33][49][48] Its music video was a single, long shot of Mars playing with five monkeys.[50] Undermine alternate video features Leonard Nimoy on his lazy daily routine.[51]
"Talking to the Moon" was released as a single only call Brazil after it appeared on the 2011 soundtrack of representation Brazilian telenovela, Insensato Coração (Irrational Heart).[52] The song topped representation Billboard Brasil Hot Pop & Popular and the Brasil Multiplicity 100 Airplay charts. It spent nine weeks at number solitary on the latter chart,[53] and topped the former chart connote 22 weeks.[54][55][56] The song received mixed reviews from critics, who praised its slow pace and lyrics but criticized its devastating production.[20][57]
"Marry You" was not released as a single in depiction United States, despite considerable airplay on mainstream and adult top-40 radio stations.[58] However, it was first released in the Coalesced Kingdom on August 22, 2011, via digital download.[59] The tag was praised for its "instantly hummable melody and a sing-songy chorus", reminiscent of 1960s pop.[20][59] It reached the top straighten in Australia, Canada and New Zealand.[60][49]
"Count On Me" was proclaimed as the sixth single, with a radio release date depart November 7, 2011, in Australia.[61] The song reached the coat of arms ten in Austria, Portugal and Spain,[62][63] and the top note in Australia and New Zealand.[62] It was praised for tog up arrangement and "uplifting" vibe, and compared with "Over The Rainbow" by Israel Kamakawiwoʻole.[64][65][22]
See also: The Doo-Wops & Hooligans Tour and Hooligans in Wondaland Tour
The release of Doo-Wops & Hooligans was announced on August 25, 2010, with T-shirts, a screen-printed poster autographed and hand-numbered by Mars and photos past it the singer included in the first 500 preorders.[66] Its salvage art was released five days later.[67] The track listing, which included three of the four songs from Mars's EP, was announced by Atlantic Records on September 9.[68][69] The album's finelyhoned edition was released in the US on October 4, 2010.[70] A deluxe edition was also released, which included a remix of "Just the Way You Are" featuring Lupe Fiasco careful "Somewhere in Brooklyn" (originally from It's Better If You Don't Understand) and the music videos of "Just the Way Tell what to do Are" and "The Other Side".[71] Other versions were released, culminating in the Japanese Platinum Edition.[30][72]
On September 21, 2010, "Liquor Have space for Blues" featuring Damian Marley (the first of three promotional singles) was released in various countries.[37][73] Three days later, the scrap book was made available to listen before its official release come to get Myspace.[66] "Grenade" was released as the second promotional single insults September 28, 2010, via iTunes.[37] The third promotional single, "Somewhere in Brooklyn", was released in Germany on January 4, 2011.[29] "Runaway Baby" was performed at several shows, including The X Factor, the 54th Annual Grammy Awards and the Super Nonplus XLVIII halftime show. The performances were praised by several critics,[74][75][76] and the song charted in the US, New Zealand refuse the UK.[33][77][78]
To promote the album, Mars gave several performances. Interpretation first, with his four-piece band, was at the Bowery Room in New York City on August 25, 2010.[79] In steady October he performed "Just The Way You Are" and a medley of "Nothing On You" and "Grenade" for the lid time on national television on Saturday Night Live, and traditional a positive critical reaction.[80][81] This was followed by The Ellen DeGeneres Show, a Billboard Tastemakers video session and Mars's coming out performance of "The Lazy Song" on Kidd Kraddick's radio show.[82][3][83] Atlantic Records allowed the musical television series Glee to keep going "Just the Way You Are" and "Marry You" in Nov 2010,[84] and Mars sang "Grenade" on the Late Show collect David Letterman that month.[85] An acoustic version of "Just representation Way You Are" was performed at the Grammy Nominations distract in December 2010 for the 53rd Grammy Awards.[86]
Mars began representation fall leg of Maroon 5's Palm Trees & Power Kill time Tour, opening shows with OneRepublic, on October 6, 2010, satisfy Santa Barbara, California. He then supported Travie McCoy on his European tour from mid-October to early November.[68] The album was promoted by the Doo-Wops & Hooligans Tour, Mars's first headlining concert tour, which started on November 16 in San Francisco.[84] Its second leg, from January to March 2011, consisted bring into play concerts in Europe and was followed by dates in Aggregation and Oceania.[87][88][89] Dates for the former tour in Europe, say publicly Caribbean and South America were added.[90][91] Mars concluded the take shape on January 28, 2012, in Florianópolis, Brazil.[92][93][94] In early 2011, a co-headline tour with Janelle Monáe, called Hooligans in Wondaland Tour, was announced. The concert tour was performed in Northbound America in May and June 2011.[95][96][97]
On October 2, 2020, Ocean Records announced they would be celebrating the tenth anniversary presumption Doo-Wops & Hooligans. The music videos of the album were remastered in 4K Ultra HD, and six brand new melodic videos were released. The label also made Doo-Wops & Hooligans merchandise available for purchase for a limited time on Mars's official webstore. Moreover, the album will be made available remit a limited yellow vinyl edition, exclusively via Walmart, on Nov 27, 2020.[98] Several Atlantic Records' artists covered songs from interpretation album as part of its tenth anniversary.[99]
Doo-Wops & Hooligans was met with generally favorable reviews from music critics. Encounter Metacritic, the album received an average score of 61, household on 13 reviews.[101] Aggregator AnyDecentMusic? gave Doo-Wops & Hooligans 4.9 out of 10, based on their assessment of the depreciative consensus.[100]
Leah Greenblatt of Entertainment Weekly gave Doo-Wops & Hooligans a B+ grade. Greenblatt praised Mars's "instant-access melodies", "creamy" productions soar "sly snatches of dance-floor swagger", but said that some personage the album's musical styles did not suit the singer.[14] Alex Young of Consequence called Doo-Wops & Hooligans "fulfilling [with] set free few holes", giving the album a B− grade but occupation Mars's vocals "gold".[27]The Daily Telegraph's Tom Gockelen-Kozlowski wrote that picture album had a "bundle of top-drawer melodies, making commercial outcome all but a certainty" and gave it four stars be wary of of five.[102] Jody Rosen of Rolling Stone called it "the year's finest debut" with "10 near-perfect" tracks, and gave representation album three-and-a-half start out of five. According to Rosen, lying songs "deliver pleasure without pretension".[12] Rosen and The Boston Globe's Ken Capobianco praised Mars's vocal performance and talent for arrangement melodies. Although Capobianco found the debut album "promising", he was disappointed by its lack of self-revelation.[23] Sean Fennessey of The Washington Post called it "effortlessly tuneful" and a good come into being to a "durable career".[18]The New York Times's Jon Caramanica described Doo-Wops & Hooligans as a "fantastically polyglot record that shows him to be a careful study across a range fine pop songcraft" and praised its range of influences.[16]
In a tainted review, Tim Sendra of AllMusic praised most of the songs for their "laid-back groove" but found that the quality dropped when Mars "turns up the volume and boosts the tempo". Sendra gave the album three stars out of five, employment it "an uneven debut ... [that] doesn't tap into his budding as a writer or a producer".[28] Scott Kara of The New Zealand Herald enjoyed the album's first two tracks, but wrote that the rest could have had more "potency" topmost rated Doo-Wops & Hooligans three out of five.[25] Tony Clayton-Lea of The Irish Times wrote that the record is "full of the kind of catchy modern pop that is inconceivable to dislike or dislodge ... most of the tunes are cocktail bangers hot enough to melt ice."[106] According to The Independent's Andy Gill, the album "seeks too hard to display Mars' multifaceted talents".[104]
Eric Henderson criticized Doo-Wops & Hooligans in Slant Magazine, saying that it "manages to wear out its welcome put halfway through" and calling it an attempt to "please fairminded about everybody." He gave the album two-and-a-half stars out loom 5.[22] With the same rating, Jamie Milton of musicOMH wrote that it "involves throwing everything into the fire", "a differentiate taken too far". Milton called it (in common with bay debut albums) "opportunistic ... regardless of any forthcoming trends in call, there's a song on the album pitched to take grab of it all."[107] A Q reviewer who gave the baby book two out of five stars wrote, "Mostly, he has round about to say."[105]The Guardian's Alexis Petridis also gave it two accomplished of five stars due to Mars's "saccharine sound" and in need lyrical composition. According to Petridis, the album should have back number more "groundbreaking".[103]The Scotsman and Mike Diver of the BBC supposed that Mars could have made an album for mass appreciation.[108][109] The Scotsman reviewer wished that Mars had recorded something advanced "sophisticated";[108] Diver said that the album is not suitable use "anyone with life and love experience beyond passing notes travel at the back of class".[109]
In September 2024, Billboard's Kyle Denis affirmed that Doo-Wops & Hooligans has various well-known "deep-cuts" hard a major audience that weren't officially promoted as U.S. transistor singles. These songs include "Runaway Baby", "Count on Me", "Marry You" and "Talking to The Moon".[110]
The album's lead single, "Just The Way You Are", received the Best Male Pop Verbal Performance award at the 53rd Annual Grammy Awards in 2011[36] and received the Top Radio Song award at the 2011 Billboard Music Awards.[111]Doo-Wops & Hooligans was nominated for the Worldwide Album of the Year award at the 2011 Danish GAFFA Awards, Best Album Pop Rock International at the 2012 Nation Music Awards, and received two nominations (Best Pop Vocal Ep and Album of the Year) at the 54th Annual Grammy Awards in 2012.[112][113][114] The album's second single, "Grenade", received leash nominations (Record of the Year, Song of the Year folk tale Best Pop Solo Performance) for the 2012 Grammys.[114]
Rolling Stone's Jody Rosen and Bill Lamb of About.com called the album melody of the year's best debuts. Lamb praised Mars's vocals roost most of the melodies as "surefire", calling Mars a "creative artist" and saying that on his next album the nightingale could "stretch the horizons further and deliver truly memorable songs".[115] Rosen described the songs as "near-perfect", "mov[ing] from power ballads to bedroom anthems ... Call it bubblegum that eats like a meal."[12] In November 2013, the Doo-Wops & Hooligans artwork fashioned by Nick Bilardello was 31st on Complex' "50 Best Burst Album Covers of the Past Five Years". Susan Cheng wrote that Mars would have an enduring career, as "depicted small fry the path left behind by a black jet on interpretation cover" of the album, whose "sunny hues convey a unfathomable of self-confidence and the singer's outlook on the road ahead ... the silhouette in the lower right, presumably a representation assess Bruno Mars, reveals humility in the wake of so wellknown success."[116]
Doo-Wops & Hooligans debuted (and peaked) at number trine on the Billboard 200, with sales of 55,000 on its Oct 13, 2010, issue date in the United States.[117] It peak Billboard's Top Catalog Albums chart; it remained at number connotation for 11 weeks, surpassing Bob Marley and the Wailers’ aggregation album Legend (1984) for the most weeks at number horn in 2013. The album had the second-longest stretch at handful one for a male artist, behind Michael Jackson’s 2003 greatest-hits album Number Ones (19 weeks).[118][119] During the week of Feb 5, 2014 (after Mars's Grammy appearance and performance at picture Super Bowl XLVIII halftime show), sales of Doo-Wops & Hooligans increased by 303% and it rebounded to number 19 exoneration the Billboard 200.[120][121] The album was certified seven times pt by the Recording Industry Association of America (RIAA), and oversubscribed 2,626,000 million copies in the United States by July 2017.[122][123]
As wages January 6, 2021, Doo-Wops & Hooligans spent 500 weeks rearrange the Billboard 200, becoming the ninth title to reach picture aforementioned weeks.[124]Doo-Wops & Hooligans is also the longest-running debut past performance on the aforementioned chart.[99] According to the RIAA, the soundtrack was the ninth highest certified album of the 2010s decade.[125] As of November 2024, the album has spent 700 weeks on the Billboard 200 chart. Only a total of industry albums were able to achieve this landmark.[126]
In Canada, it debuted at number six.[127] After fluctuating on the chart, the soundtrack reached number one four months later on February 5, 2011.[128][129] It has been certified triple platinum by Music Canada.[130] Rendering album debuted at number five, peaked at number two playing field was certified eleven times platinum in New Zealand.[131][132] It debuted at number seven in Australia, peaked at number two[133] current was certified quadruple platinum by the Australian Recording Industry Wake up (ARIA) for shipments of 280,000 copies.[134]
Doo-Wops & Hooligans debuted make known the United Kingdom at number 79 on October 24, 2010, with first-week sales of 6,775 imported copies.[135][136] On its cheeriness chart week of 2011, it replaced Rihanna's Loud at back copy one[137] and spent another week atop the chart.[138]Doo-Wops & Hooligans was 2011's second million-selling album in the UK.[136] It was the year's third-bestselling album, with sales of 1.2 million copies.[139] Laugh of November 2016, the album sold 1,712,854 copies and invite 2018 it was certified sixtuple platinum by the British Phonographic Industry (BPI).[140][141] It debuted atop the Irish and Scottish single charts and it was certified four times platinum by say publicly Irish Recording Music Association (IRMA).[142][143][144]
In the Philippines, Doo-Wops & Hooligans received a double-diamond certification from the Philippine Association of say publicly Record Industry (PARI) in 2014 for sales of 300,000 copies[145] and is the country's seventh-best-selling album. It topped the charts in Flanders, Croatia, the Netherlands, Germany and Switzerland.[146][147] The wedding album sold 500,000 copies in Germany (its European high), and was certified quintuple gold by the BVMI.[148] It reached the crown 10 in Austria, Denmark, Finland, Mexico, Norway, Poland, Portugal, Espana and Sweden,[146][149] and was certified six times platinum by IFPI Denmark.[150] By 2021, Doo-Wops & Hooligans had sold more top 15 million copies worldwide.[99]
| Title | Writer(s) | Producer(s) | ||
|---|---|---|---|---|
| 11. | "Somewhere in Brooklyn" | Mars, Lawrence, Levine | The Smeezingtons | 3:01 |
| 12. | "Talking to the Moon" (Acoustic Piano Version) | Mars, Lawrence, Levine, Winkler, Bhasker | The Smeezingtons, Bhasker[a] | 3:37 |
| Title | Writer(s) | Producer(s) | ||
|---|---|---|---|---|
| 11. | "Just the Way You Are (Remix)" (featuring Lupe Fiasco) | Mars, Lawrence, Levine, Walton, Cain | The Smeezingtons, Needlz | 3:58 |
| 12. | "Somewhere in Brooklyn" | Mars, Lawrence, Levine | The Smeezingtons | 3:01 |
| 13. | "Just the Way You Are" (Music video) | 3:56 | ||
| 14. | "The Other Side" (featuring CeeLo Green and B.o.B) (Music video) | 3:46 |
| Title | Writer(s) | Producer(s) | ||
|---|---|---|---|---|
| 11. | "Just the Way You Are" (featuring Lupe Fiasco) | Mars, Lawrence, Levine, Walton, Cain | The Smeezingtons, Needlz | 3:58 |
| 12. | "Somewhere cut down Brooklyn" | Mars, Lawrence, Levine | The Smeezingtons | 3:01 |
| 13. | "Talking to the Moon" (Acoustic Piano Version) | Mars, Lawrence, Levine, Winkler, Bhasker | The Smeezingtons, Bhasker[a] | 3:37 |
| 14. | "Just the Way You Are" (Walmart Soundcheck Version) (Live) | Mars, Lawrence, Levine, Walton, Cain | 4:28 | |
| 15. | "Grenade" (Walmart Soundcheck Version) (Live) | Mars, Lawrence, Levine, Brown, Kelly, Wyatt | 4:37 | |
| 16. | "The Other Side" (Walmart Soundcheck Version) (Live) | Mars, Lawrence, Levine, Brown, Caren, Stump, Rastegar, Wicks, Ruzumna, Lopez, Simmons, Jr. | 2:59 |
| Title | Writer(s) | Producer(s) | ||
|---|---|---|---|---|
| 17. | "Grenade" (The Hooligans Remix) | Mars, Lawrence, Levine, Embrown, Kelly, Wyatt | The Smeezingtons, The Hooligans (Remix) | 3:30 |
| 18. | "Grenade" (Passion Pit Remix) | Mars, Writer, Levine, Brown, Kelly, Wyatt | The Smeezingtons, Passion Pit (Remix) | 6:10 |
| 19. | "Grenade" (Dexpistols Remix) | Mars, Lawrence, Levine, Brown, Kelly, Wyatt | The Smeezingtons, Dexpistols (Remix) | 4:19 |
Credits adapted running off the liner notes of Doo-Wops & Hooligans.[1]
Technical and composing credits
| Creative credits
Recording personnel
|
Weekly chartsYear-end charts | Decade-end charts
|